First Name
Cami
Middle Name
Rose
Last Name
Hancock
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Biography
Cami Rose Hancock is a dramaturg originally from East Lansing, Michigan. Now based in New York City, she holds an MFA in Theatre (Dramaturgy concentration) from Columbia University School of the Arts. In 2023, Cami served as the Dramaturg and Assistant to Alfred Uhry for the Tony-Award winning Broadway revival of PARADE directed by Michael Arden, in addition to the production’s off-Broadway run at New York City Center. On Cami’s contributions to PARADE, Michael Arden commented: "Working with Cami on PARADE at both City Center and on Broadway was a true delight. Her passion for theatre is only rivaled by her ceaseless curiosity and rigorous work ethic as a dramaturg. Our production would not have enjoyed the success it did without her keen and thoughtful contributions.”
Cami approaches her dramaturgy work with a particular attention to character development—operating from the belief that characters are the window through which audiences are able to discover new information about their own lives. She is currently serving as the Assistant Director and Dramaturg for WITHOUT WALLS—a new play in development written by Alfred Uhry and directed by Matthew Johnson Harris. Cami is passionate about creating theatre in a safe and inclusive way for all involved and believes these crucial components in a working environment directly impact the audience’s enjoyment of a production, which was also the topic of her Graduate thesis.
Cami approaches her dramaturgy work with a particular attention to character development—operating from the belief that characters are the window through which audiences are able to discover new information about their own lives. She is currently serving as the Assistant Director and Dramaturg for WITHOUT WALLS—a new play in development written by Alfred Uhry and directed by Matthew Johnson Harris. Cami is passionate about creating theatre in a safe and inclusive way for all involved and believes these crucial components in a working environment directly impact the audience’s enjoyment of a production, which was also the topic of her Graduate thesis.
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