Daphnie Sicre, Ph.D is a multi-hyphenated theatre artist. She is a director-dramaturg-scholar-educator who shares a deep passion for Black and Latine perspectives in theatre, especially in AfroLatinidad. Engaging in anti-racist and culturally competent theatre practices, she helps bring stories from the page to the stage. She was recently named Co-Artistic Director of Ammunition Theatre in Los Angeles, CA and Co-Directs the Candela Fellowship for Latine and Caribbean Playwrights with the Dramatist Guild in New York, NY, while teaching theatre fulltime UC Riverside. She served as a resident dramaturge for the Robey Theatre, where she runs the Playwright’s Lab. Selected dramaturgy credits include- Musicals: Big Dawn by Marcus Terrell Smith, O-Dogg by Alex Alpharo (Music Theatre Factory) It Happened in Key West-Book, Music, & Lyrics by Jason Huza, Jeremiah James and Jill Santoriello (Bristol Riverside Theatre) and Negra- The Musical by Julio Hanson. Plays: Shells (Rogue Ensemble Artists), Vamonos (INTAR), Freedom Hill (Launch Pad), BrownFace (Lehigh University & Playwrights’ Arena Readings Series), The Hustle (The Robey Theatre), Moonlighters (TheaterWorks Hardford & Hartbeat Ensemble), An Octoroon (The Fountain Theatre), The Disappearance of Rosie Garcia’s Family (New Play Project), Waiting for Godinez (Playwrights’ Arena Readings Series), Shower Me (Columbia University/FringeNYC), Not About Eve (Bratta Productions), Collateral Bodies (First Foot Productions), The Class Project(NYU) to name a few. When she is not writing, directing or doing dramaturgy, she leads DEI Theatre Workshopts across the country and serves as a culture consultant for Nickelodeon, having worked on the Emmy nominated Santiago of the Seas, and Teenage Mutant Ninja Turtles; Mutant Mayhem. When she is not writing, directing, or doing dramaturgy, she leads workshops across the country on theatre pedagogy and inclusivity. Lastly, she serves as a culture consultant for Nickelodeon. https://daphniesicre.com IG: @drsicrelovestheatre

AfroLatine Theatre, Latine Theatre, Black Theatre, Theatre Pedagogy, Hip Hop Theatre, Musical Theatre, Theatre of the Oppressed

Spanish, French & English

Yes