Maddie Gaw is the former Literary Manager at Playwrights Foundation, where she led the literary department for two seasons and provided dramaturgical support for HOW THE BABY DIED by Tori Keenan-Zelt (Bay Area Playwrights Festiavl 2019) THE DAUGHTERS by Patricia Cotter (BAPF 2018) and BASTIANO, OR THE TRANSFIGURATION OF RAFFI by Carey Perloff (Rough Reading, 2019). Her dramaturgy credits include development with 3Girls Theatre Company (METH, EVEN WHAT LITTLE SHE HAS, THE BODY PLAY, TOUCHED), productions at Marin Theatre Company (ANNE BOLEYN, SWIMMERS, MY MAÑANA COMES), Crowded Fire Theater (REVOLT. SHE SAID. REVOLT AGAIN.), and Custom Made (BELLEVILLE). Producing projects include 3Girls Theatre Company’s 2018-19 Salon Reading Series, LMDA’s 2017 National Conference, and THAT IT ALL MAKES PERFECT by Erin Bregman (6NewPlays). Maddie’s writing has been published by HowlRound, the Berkeley Rep Magazine, Samuel French's Breaking Character Magazine, The Toast, and NewMusicalTheatre.com. She currently writes the newsletter BILDUNGSROMAN BLITZ on her website.

Audience Engagement, Dramaturgy, History, Horror, Musical Theatre, New Play Development, Producing Readings / Workshops, Production Dramaturgy, Theater History

English

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