Zachariah Ezer is a theatermaker whose work animates theoretical quandaries through dramaturgical forms. He is currently the Director of New Work at Keen Company. He has also performed dramaturgical services for The National Black Theatre, Breaking the Binary Theatre, The Workshop Theater, The Kennedy Center American College Theater Festival, foolsFURY, Merde, and Awoye Timpo/Bell Patter Productions.

As a playwright, his work has been developed and/or produced by American Conservatory Theater, American Lore Theater, BUFU, Charging Moose Media, City Theatre, The Civilians, The DC Black Theatre Festival, Dragon Productions Theatre Company, The Echo Theater Collective, The Echo Theater Company, The Fade to Black Play Festival, Fault Line Theatre, The Fire This Time Festival, Hi-ARTS, Iowa State University, The KCACTF Region 6 Festival, The Lark, Merde, The National Black Theatre, The New Cosmopolitans, New York Stage and Film, The Playwrights Center, Playwrights Horizons, The Prelude Festival, The Rude Mechanicals, Ruthless Nightingale, The Secret Theatre, The Starfruit Project, The Tank, Theater J, Theater Masters, The University of Texas at Austin, Wesleyan University, The Woodside Players of Queens, and The Workshop Theater. It has been published by Concord Theatricals/Samuel French, Smith & Kraus, American Blues Theater, New World Theatre, some scripts literary magazine, and Fleas on the Dog. It has been performed in New York City, Los Angeles, Chicago, Washington (state & DC), Houston, Austin, Miami, Abilene, Ames, and online.

Zachariah is also an essayist (published by Gizmodo/io9, HuffPost, The University of Texas' E3W, among others) and a performer in alternative rock band Harper's Landing.

MFA: The University of Texas at Austin. BA: Wesleyan University.

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