Roweena Mackay teaches theatre at the Tohono O'odham Community College & the University of Arizona. Her primary research interests include borderland dramaturgies and indigenous representation in theatre, film and television.

As a dramaturg, she has worked with August Wilson (Radio Golf, Yale Repertory Theatre), Culture Clash (Culture Clash in AmeriCCa, Yale Repertory Theatre), Mac Wellman (Two September, The Flea), Liz Swados (Kaspar Hauser, The Flea), Qui Nguyen (She Kills Monsters, NyLon), Rhiana Yazzie (The Dreaming Bundle, New Native Theatre) and Jon Bernson (When Lighting the Void, Bay Area Playwrights Festival). From 2006 – 2009, she was the resident dramaturg for Bone Orchard, an ensemble-based theatre company in NYC which she co-founded with theatre and film director, Anna Jones Rodriguez.

Roweena is also an independent contractor in film, television and new media: production credits include Art Department Coordinator for Sorry to Bother You (dir. Boots Riley), Location Manager for Appropriate Behavior (dir. Desiree Akhavan), Assistant Director for Glass Chin (dir. Noah Buschel), Script Supervisor for Anyone But Me (dir. Tina Cesa Ward), Production Coordinator for John Leguizamo's Ghetto Clown (dir. Fisher Stevens), Producer for CC Dances the Go-Go (dir. Erin Buckley), Producer for The Birch Grove (choreographed by Gabrielle Lansner) and most recently, Researcher for Presumed Innocent (Apple TV).

Other professional highlights include working for 59E59 Theaters, Theatre Communications Group, Trisha Brown's Dance Company, the Playwright's Foundation and Borderlands Theater.

Script coverage (plays, films, new media) and script breakdowns (Movie Magic). New play development. Teaching/workshops on contemporary American theatre and dramatic structure.

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